Skip to main content

Totalitarianism in Animal Farm

Totalitarianism represents humanity's most insidious perversion of political power—a systematic assault on individual freedom that transforms entire societies into controlled environments where human spirit is methodically crushed. Unlike mere dictatorships that primarily seek political submission, totalitarian regimes wage a comprehensive war against human autonomy, penetrating the most intimate spaces of personal thought, belief, and expression.
At its core, totalitarianism is a radical political ideology that does not simply want obedience, but complete psychological transformation. It demands not just compliance, but total internal surrender. The totalitarian state is not satisfied with external conformity; it seeks to fundamentally reshape human consciousness, creating subjects who internalise the state's narrative so deeply that external coercion becomes almost unnecessary.
The machinery of totalitarian control is breathtakingly sophisticated. Through pervasive propaganda, manipulated media, surveillance technologies, and systematic fear, these regimes construct elaborate narratives that rewrite history, distort reality, and create alternative collective memories. Education becomes indoctrination, art becomes propaganda, and personal relationships are transformed into potential instruments of state control.
What distinguishes totalitarianism from traditional authoritarianism is its total ambition. Where authoritarian systems are content with political submission, totalitarian regimes seek complete ideological conversion. They do not merely silence opposition; they seek to make opposition conceptually impossible by controlling language, redefining truth, and creating psychological environments where independent thought becomes unimaginable.
The most chilling aspect of totalitarianism is its ability to make the extraordinary seem ordinary. Mass surveillance becomes routine, political persecution becomes normalised, and citizens gradually adapt to ever-shrinking spheres of personal freedom. The genius of totalitarian systems lies in their capacity to make oppression feel like protection, to transform collective trauma into perceived collective purpose.
Resistance to totalitarianism, therefore, is not just a political act but a profoundly human one—a declaration of individual dignity against systems designed to erase individual consciousness. Each act of independent thought, each moment of genuine human connection, becomes a revolutionary gesture, a reminder that human spirit ultimately transcends mechanical systems of control.

Animal Farm by George Orwell
Read here Animal Farm by George Orwell PDF (only for academic purpose).

Animal Farm is a powerful allegorical novella that serves as a scathing critique of totalitarian political systems, particularly Stalinist Russia. The story begins when the animals of Manor Farm, led by the pigs, overthrow their human owner Mr. Jones in a revolution inspired by Old Major's vision of animal equality. Initially, the animals establish principles of shared governance and mutual respect, symbolised by their seven commandments of "Animalism."
However, the revolution quickly deteriorates as the pigs, particularly Napoleon and Squealer, begin to manipulate the other animals. They gradually assume more privileges, rewrite history, and ultimately become indistinguishable from the human oppressors they initially rebelled against. The famous commandment "All animals are equal" is subtly altered to "All animals are equal, but some animals are more equal than others," perfectly encapsulating the hypocrisy of the new regime.
Orwell masterfully uses the farm's microcosm to expose how revolutionary ideals can be corrupted by power. The characters represent key historical figures: Napoleon mirrors Stalin, Snowball represents Trotsky, and the working animals symbolise the proletariat manipulated by those in power. The pigs' progressive adoption of human behaviours—walking on two legs, wearing clothes, drinking alcohol—illustrates how revolutionary leaders often become the very oppressors they once fought against.
The novel's greatest strength lies in its simplicity and universal message. It's not just a critique of Soviet communism, but a broader commentary on how ideological movements can be hijacked by ambitious individuals who prioritise personal power over collective well-being. Through animal characters, Orwell reveals the most disturbing aspects of human political behaviour: the ease with which power can corrupt, the malleability of truth, and the willingness of oppressed groups to accept gradual subjugation.

critical thinking, creative writing, animal farm,
Animal Farm remains a timeless warning about the dangers of totalitarianism, propaganda, and the erosion of democratic principles. Its enduring relevance stems from its ability to expose the fundamental human tendencies that can transform well-intentioned revolutions into oppressive regimes.
Animal Farm is an allegory for the Russian Revolution of 1917, called as the Bolshevik Revolution, also referred to as the Great October Socialist Revolution. And at a broader sense, animal farm is an allegory for any society. It has ruling class and a working class. Power is abused and the control of the nation is absolute
In Animal Farm, the subjects are given the illusion of freedom as a means of controlling someone. The easiest people to control are those who think they are free. The pigs in Animal Farm give others the illusion of freedom by:
  • Calling them comrades; because it implies equality but in fact there isn’t. It makes them feel like they are equal.
  • All animals are equal, but some animals are more equal than others. There again is the illusion of equality.
  • Letting them elect the president but he is the only choice. There is the illusion of choice actually there is none.

Comments

Popular posts from this blog

Visual Analysis: SEMIOTICS

 Visual analysis is a systematic and scientific approach to examining visual materials that goes far beyond casual observation.  In our visually saturated world, images have become a inescapable universal language that shapes our perceptions, attitudes, and experiences. From the artworks adorning gallery walls to the advertisements lining city streets, visuals communicate narratives, evoke emotions, and reflect sociocultural ideologies. However, the process of seeing and interpreting visuals is not as spontaneous or natural as we often assume. As John Berger notably stated, "seeing is an active decision," suggesting that the process of interpreting visuals is neither spontaneous nor natural, but rather requires conscious effort and critical thinking. The way we perceive and interpret visual content is heavily influenced by habits, conventions, and our individual perspectives.  Serious visual analyses requires conscious effort and critical analysis to unravel the laye...

Sigmund Freud on Creative Writing and Day-Dreaming

 Freud in his essay, Creative Writers and Day-Dreaming, explores the psychological origins of artistic creativity and the impact of literature on readers. He draws parallels between the imaginative activity of creative writers and the day-dreaming of ordinary people. It is a discussion about the relationship between creative art and unconscious phantasy. In it, Freud talks about the role of daydreaming and fantasy in human behaviour, and how creative writers are able to express their daydreams without shame or self-reproach. Read the essay below (for academic use only) Creative Writers and Day Dreaming PDF Freud argues that the child's play and the adult's phantasies/daydreams share a common element—the desire to alter an unsatisfactory reality and fulfil unfulfilled wishes. The creative writer is like a successful daydreamer who is able to transform their private fantasies into works that provide pleasure to the audience. Freud suggests that the writer's choice of subject...

Pope Francis—Fully Human and Fully Pope

 Pope Francis led the Church with the authority and obligation of a co-pilgrim. He became the conscience of the Church. Long before Pope Francis fell ill and the Catholic world began talking about what is next and who is next; while Pope Francis was still making waves of change in the Catholic and non-Catholic world, I heard men of the Church judging him, saying he needed to be a little more careful, tactful, and diplomatic; take time to speak and act—meaning to be conservative and moderate like the Church almost always has been. The pressure on Pope Francis was that he must restrain from saying things that would make him and the Church look weak, vulnerable, and human. I was of the opinion that the authority and influence of a Pope, the vicar of Jesus, who sits in a pompous cathedra is to be enduring even at the point of embracing vulnerabilities, and not run away; be comfortable with others and varied perspectives; face discomfort, sweat, anger; laugh at power; and 'have the smel...

The Brown Sisters: A Four-Decade Portrait of Time and Sisterhood

 Nicholas Nixon's "The Brown Sisters" stands as one of photography's most compelling longitudinal portrait studies, documenting four decades of sisterhood through annual black-and-white photographs taken from 1975 to 2014. Using an 8×10 inch view camera, Nixon captured his wife Bebe and her three sisters—Heather, Mimi, and Laurie Brown—in the same order each year, creating a remarkable visual meditation on time, aging, and familial bonds. For the full set of images see the PDF below (for academic use only) Forty Portraits in Forty Years PDF What began as a spontaneous family photograph in 1975 evolved into a profound artistic documentation of human transformation. The project's strength lies in its methodological consistency: the sisters maintain their positions, with the sequence remaining unchanged throughout the series. This rigid framework paradoxically highlights the subtle changes that occur year by year, creating a powerful commentary on the passage of time...

A Critical Visual Analysis of Jan Banning's ‘Bureaucratics’

 Jan Banning's photographic series Bureaucratics offers a remarkable anthropological study of civil servants across eight countries, revealing how power, hierarchy, and cultural identity manifest in governmental spaces. Through meticulously composed photographs taken from a citizen's perspective, Banning unveils the theatre of bureaucracy the most immediate visual impact comes from Banning's consistent methodology: each photograph is taken from the same height and distance, positioning the viewer in the role of a citizen approaching the bureaucrat's desk. The bureaucrats are photographed in their natural habitat – their offices – which become stages where power dynamics and cultural values are performed daily. Make visual analysis of  Bureaucratics  by Jan Banning given below. Bureaucratics by Jan Banning PDF  (for academic use only) In examining the spatial arrangements, a clear pattern emerges: the desk serves as both barrier and symbol of authority. In many image...

Visual Analysis: INTRODUCTION

 Visual analysis is a systematic and scientific examination of visual materials that explores their communicative meaning, aesthetic qualities, and functional impact. As Susan Sontag noted, humans tend to linger in "mere images of the truth," making it crucial to develop a deeper understanding of visual interpretation. Study the PDF below (for academic use only) Introduction to Visual Analysis PDF The Nature of Seeing: The process of seeing is not as spontaneous or natural as commonly believed. According to John Berger, our way of seeing art has historically been influenced by privileged minorities to maintain social and economic dominance. Visual perception requires conscious effort and is heavily influenced by habits and conventions. The visual faculty consumes approximately two-third of a person’s used energy, highlighting its significance in human experience. The Framework of Visual Analysis: Visual analysis could be traced back to communication models, for example, Har...

Mass Media: Platforms and Content

 Mass Media today is interplay between technological infrastructure and creative expressions. Mass media, defined as channels of communication designed to reach large audiences, has undergone profound transformation in recent decades. What began as predominantly print-based communication has expanded into a multifaceted ecosystem encompassing visual, audio, and interactive modes of engagement. This essay explores the dialectical relationship between media platforms and content, arguing that the two elements exist in dynamic tension—with platforms shaping content possibilities while content innovations drive platform evolution. As Marshall McLuhan famously observed, "the medium is the message," suggesting that the vehicle of communication fundamentally alters how we perceive and process information. This principle remains relevant as we navigate an increasingly fragmented media landscape characterised by both institutional and user-generated content. The Architecture of Mass M...