Skip to main content

Sound Design: An Introduction

 Sound is a vibration that propagates as an acoustic wave. It is a kind of energy. To make a sound, something has to vibrate — whether that’s the string of a guitar, the larynx (voice box) of a person, or the loudspeakers of your radio.  Sound waves consist of vibrating particles, which knock into other particles, causing those particles to vibrate and knock into more particles, and so on and so forth; this is how sound waves travel away from their source.  We hear sounds because the vibrations in the air cause our eardrums to vibrate, and these vibrations are converted into nerve signals that are sent to our brains.

Study the PDF below (for academic use only)

Sound Design for Media PDF

Elements of Sound

The amplitude: The amplitude is the height of the wave on the graph from the middle to its highest point. The amplitude determines a sound’s volume — sound waves of higher amplitude are louder.

The frequency: The number of rarefactions and compressions that occur per unit time is known as the frequency of a sound wave. The frequency of the sound wave decides the pitch. A sound with a higher frequency has a higher pitch.

Diegetic and Non-diegetic sound

Diegetic sound: Sound which has a source or reference on-screen. It is the actual sound. Essentially, diegetic sounds are sounds that the characters can hear. For instance, diegetic sounds can include speech and background noise, whereby characters can react to these instances of sound. It could be a phone ringing in the next room.

Non-diegetic sound: Sound which does not have a source/reference on-screen, they have been added in. For example music, voiceover, sound effects, etc. Only audience can hear it.

The major sound categories in a Film are dialogue / narration, Foley, ambient / background, music, and Effects.

Sound Production
Sound Production

Sound Tracks 

If we do a categorisation of all the varied sounds that we hear in a cinema, they could be placed under five headings, which are called the fundamental basic sound tracks, namely, dialogue, foley, ambient, music, and sound effects. 

Sound Aesthetics

What you hear while watching a movie is the result of specific choices made by those who work on film production. Sound aesthetics have a significant impact on the film's overall aesthetics, narration, and emotional response. This is the reason why sound engineering is now a part of the movie industry's creative process. Well-done sound aesthetics for the film will elevate the visual part of a film. One must take care of ambience / environment, figure-ground, perspective, continuity, and energy of sound.

Comments

  1. This article provides a concise yet comprehensive overview of sound design in the context of media, offering valuable insights into the fundamental elements of sound and their significance in various media forms. The explanation of sound waves, amplitude, and frequency lays a solid foundation for readers to understand the basics of sound. The distinction between diegetic and non-diegetic sound is particularly insightful, shedding light on how sounds are categorized based on their on-screen presence or absence. The mention of major sound categories in film, such as dialogue, Foley, ambient/background, music, and effects, provides a practical understanding of the diverse components involved in sound production for movies. For more details, visit Sound Engineering Courses in Bangalore

    ReplyDelete

Post a Comment

Popular posts from this blog

Visual Culture

  Visual culture is a multifaceted field that examines the pervasive role of visuals in shaping human understanding, beliefs, and behaviours. It posits that visuals are not merely reflections of reality but rather " constructed realities " that actively influence our perception of the world. At its heart, visual culture positions visuals as the reference and data for knowledge, beliefs, thinking, creations, behaviour, etc.; which in turn further shapes current beliefs, thinking, creations, behaviour, etc. Visuals are images/collection of images that are made to be seen. Framed (made) and put out. This highlights that visuals are not spontaneous occurrences but deliberate constructions, detached from the place and time in which it first made its appearance, says, John Berger . Examples like the contrasting Newsweek and TIME magazine covers of O.J. Simpson illustrate how different framings of the same event can convey distinct messages and narratives, underscoring the idea ...

Visual Analysis: SEMIOTICS

 Visual analysis is a systematic and scientific approach to examining visual materials that goes far beyond casual observation.  In our visually saturated world, images have become a inescapable universal language that shapes our perceptions, attitudes, and experiences. From the artworks adorning gallery walls to the advertisements lining city streets, visuals communicate narratives, evoke emotions, and reflect sociocultural ideologies . However, the process of seeing and interpreting visuals is not as spontaneous or natural as we often assume. As John Berger notably stated, " seeing is an active decision ," suggesting that the process of interpreting visuals is neither spontaneous nor natural, but rather requires conscious effort and critical thinking. The way we perceive and interpret visual content is heavily influenced by habits, conventions, and our individual perspectives.  Serious visual analyses requires conscious effort and critical analysis to unravel the ...

The Male Gaze and the Construction of Gender in Visual Culture

 Visual culture encompasses the totality of images, visuals, and visual practices that shape our lived experience. It manifests through art, photography, cinema, design, and countless other forms, representing the ideas, customs, and social behaviours that revolve around visual materials. Visual culture is not merely decorative or informational; it is a powerful force that produces, circulates, and interprets visual forms to construct meanings, shape beliefs, and convey power within specific cultural contexts. From traditional artworks such as paintings and sculptures to mass media like film, television, and advertising, from digital platforms including websites, apps, and video games to everyday objects like fashion, logos, and packaging—all these elements communicate meaning and fundamentally shape our understanding of the world. The quality and impact of visual culture depend on two critical factors: the quality of the visual content created and the nature of the act of see...

Screenplay/Script Writing: Ideas, Stories, and the Script

 Stories are Character/s, imaginary or real, aspiring and moving towards a need/goal through adversaries (achieving it with a big idea / super powers) will make one a hero). More elaborately, Character/s, imaginary or real, faced with a conflict/problem/issue/situation and trying to understand/overcome/change it in spite of difficulties / limitations / oppositions from within or without (overcoming/changing it with a big idea / super powers) will make one a hero). Please study the PDF below (only for academic use) Stories and Film Scripting PDF Stories have Shapes Storytelling is an art form that has captivated humans since the dawn of civilisation. Whether through oral traditions, written literature, or visual media, stories have the power to entertain, educate, and inspire. At the heart of every great story lies a carefully constructed narrative that engages the audience and conveys a meaningful message. According to Kurt Vonnegut, stories have shapes, the main ones are Man in th...

Art as Representation

The concept of "art as representation" has been a cornerstone of aesthetic/art theory since antiquity, evolving significantly from its initial formulation as mere imitation to a more nuanced understanding of "aboutness." The historical development of this theory, primarily drawing upon the insights of Plato and Aristotle, and extend to the contemporary "neo-representational" theory, which seeks to encompass a broader spectrum of artistic expression. Study the PDF below (for academic use only) Art as Representation PDF The earliest and arguably most enduring theory of art in Western philosophy is the Mimetic Theory of Art, championed by Plato and his student Aristotle. Derived from the Greek word mimesis , meaning "imitation" or "mimicry," this theory posits that art is fundamentally a reflection of nature. For Plato and Aristotle, an artwork must necessarily be an imitation of something—be it a person, place, object, action, or event. T...

Visual Analysis: INTRODUCTION

  Visual analysis is a systematic and scientific examination of visual materials that explores their communicative meaning, aesthetic qualities, and functional impact. As Susan Sontag noted, humans tend to linger in " mere images of the truth ," making it crucial to develop a deeper understanding of visual interpretation. Study the PDF below (for academic use only) Introduction to Visual Analysis PDF The Nature of Seeing: The process of seeing is not as spontaneous or natural as commonly believed. According to John Berger , our way of seeing art has historically been influenced by privileged minorities to maintain social and economic dominance. Visual perception requires conscious effort and is heavily influenced by habits and conventions. The visual faculty consumes approximately two-third of a person’s used energy, highlighting its significance in human experience. The Framework of Visual Analysis: Visual analysis could be traced back to communication models, for exampl...

Visual Analysis: LANGUAGE, ELEMENTS, AND GRAMMAR

 Visual communication plays a powerful role in shaping our understanding of the world. Like written and spoken language, visuals employ a complex grammar and system of meaning. Study the PDF below (for academic use only) Visual language, elements, and grammar PDF At its core, visual grammar is comprised of fundamental elements like line, shape, colour, texture, space, and typography. These are the basic building blocks that visual creators assemble and organise using principles like emphasis, contrast, composition, size, proportion, balance, and lighting. Just as words are assembled following the syntactical rules of language, visuals are constructed by purposefully arranging and relating these elemental units. Lines, for instance, can convey a range of associations through their orientation and qualities. Horizontal lines suggest stability and calm, verticals impart a sense of strength and authority, while diagonals imbue dynamism and movement. The weight and curvature of lines fu...