Skip to main content

Sound Design: Understanding Sound for Media

 Sound is a vibration that propagates as an acoustic wave. It is a kind of energy. To make a sound, something has to vibrate — whether that’s the string of a guitar, the larynx (voice box) of a person, or the loudspeakers of your radio.  Sound waves consist of vibrating particles, which knock into other particles, causing those particles to vibrate and knock into more particles, and so on and so forth; this is how sound waves travel away from their source.  We hear sounds because the vibrations in the air cause our eardrums to vibrate, and these vibrations are converted into nerve signals that are sent to our brains.

Study the PDF below (for academic use only)

Understanding Sound for Media

Elements of Sound

The amplitude: The amplitude is the height of the wave on the graph from the middle to its highest point. The amplitude determines a sound’s volume — sound waves of higher amplitude are louder.

The frequency: The number of rarefactions and compressions that occur per unit time is known as the frequency of a sound wave. The frequency of the sound wave decides the pitch. A sound with a higher frequency has a higher pitch.

Diegetic and Non-diegetic sound

Diegetic sound: Sound which has a source or reference on-screen. It is the actual sound. Essentially, diegetic sounds are sounds that the characters can hear. For instance, diegetic sounds can include speech and background noise, whereby characters can react to these instances of sound. It could be a phone ringing in the next room.

Non-diegetic sound: Sound which does not have a source/reference on-screen, they have been added in. For example music, voiceover, sound effects, etc. Only audience can hear it.

The major sound categories in a Film are dialogue / narration, Foley, ambient / background, music, and Effects.

Sound Production
Sound Production

Sound Aesthetics

What you hear while watching a movie is the result of specific choices made by those who work on film production. Sound aesthetics have a significant impact on the film's overall aesthetics, narration, and emotional response. This is the reason why sound engineering is now a part of the movie industry's creative process. Well-done sound aesthetics for the film will elevate the visual part of a film. One must take care of ambience / environment, figure-ground, perspective, continuity, and energy of sound.

Comments

  1. This article provides a concise yet comprehensive overview of sound design in the context of media, offering valuable insights into the fundamental elements of sound and their significance in various media forms. The explanation of sound waves, amplitude, and frequency lays a solid foundation for readers to understand the basics of sound. The distinction between diegetic and non-diegetic sound is particularly insightful, shedding light on how sounds are categorized based on their on-screen presence or absence. The mention of major sound categories in film, such as dialogue, Foley, ambient/background, music, and effects, provides a practical understanding of the diverse components involved in sound production for movies. For more details, visit Sound Engineering Courses in Bangalore

    ReplyDelete

Post a Comment

Popular posts from this blog

Visual Analysis: An Introduction

 Visual analysis is a systematic approach to examining and interpreting visual materials, aimed at understanding their underlying meanings, functions, and contextual influences. Study the PDF below (for academic use only)   VISUAL ANALYSIS: An Introduction PDF Seeing is an active Decision, says John Berger. The process of seeing a visual is less spontaneous and natural then we tend to believe. Large part of the seeing depends upon habit and convention (a way in which something is usually done). Seeing needs efforts. The way we see visuals has been manipulated by a privileged minority to preserve their social and economic dominance. Everything that you see hides another thing, says, Rene Magritte. Visual analysis is a systematic approach to examining and interpreting visual materials, aimed at understanding their underlying meanings, functions, and contextual influences. In our visually saturated world, images have become a pervasive language that shapes our perceptions, attitudes, and

Visual Language: Elements, Grammar, and Meaning

 Visual communication plays a powerful role in shaping our understanding of the world. Like written and spoken language, visuals employ a complex grammar and system of meaning. Study the PDF below (for academic use only) Visual Language and Grammar PDF At its core, visual grammar is comprised of fundamental elements like line, shape, colour, texture, space, and typography. These are the basic building blocks that visual creators assemble and organise using principles like emphasis, contrast, composition, size, proportion, balance, and lighting. Just as words are assembled following the syntactical rules of language, visuals are constructed by purposefully arranging and relating these elemental units. Lines, for instance, can convey a range of associations through their orientation and qualities. Horizontal lines suggest stability and calm, verticals impart a sense of strength and authority, while diagonals imbue dynamism and movement. The weight and curvature of lines further modify th

Art Movements: Modern Art to Contemporary Art

 There is no precise definition of the term Modern Art: it remains an elastic term, which can accommodate a variety of meanings. Art historically, Modern Art means works produced during the approximate period 1870-1970.  A s per artistic style, traditions of the past have been thrown aside in a spirit of experimentation . A tendency away from the narrative (which was characteristic for the traditional arts).  Inclination towards abstraction is characteristic of much modern art. Study the PDFs below (only for academic purpose) Art Movements: Modern Art to Contemporary Art Part I PDF Art Movements: Modern Art to Contemporary Art Part II PDF Impressionism  Originated with a group of Paris-based artists whose independent exhibitions brought them to prominence. Eventually became the world's most famous painting movement. Paved the way for the wholly non-naturalist abstract art of the 20th century. Impressionism focused on the almost impossible task of capturing fleeting moments

Sound Design: Microphones

 A microphone, colloquially called a mic or mike, is a transducer (a device that converts energy from one form to another) that converts sound into an electrical signal. Study the PDF below (for academic use only) Microphones PDF Kinds of Microphones A cardioid microphone has a unidirectional cardioid polar/pickup pattern. It is most sensitive to on-axis sounds (where the mic “points”). A hypercardioid mic has a tighter pickup angle and offers more side-rejection than a cardioid pattern. It is, however, slightly sensitive to sound sources that are directly behind the mic. Omnidirectional microphones are microphones that pick up sound with equal gain from all sides or directions of the microphone. A bidirectional mic , sometimes called a figure-of-eight, is equally sensitive to sounds coming from the front and rear of the mic and least sensitive to sounds coming from the sides. Shotgun polar pattern is exceptionally narrow and focused. This makes it flawless at recording a sound

Screenplay/Script Writing: Ideas, Stories, and the Script

 Stories are Character/s, imaginary or real, aspiring and moving towards a need/goal through adversaries (achieving it with a big idea / super powers) will make one a hero). More elaborately, Character/s, imaginary or real, faced with a conflict/problem/issue/situation and trying to understand/overcome/change it in spite of difficulties / limitations / oppositions from within or without (overcoming/changing it with a big idea / super powers) will make one a hero). Please study the PDF below (only for academic use) Stories and Film Scripting PDF Stories have Shapes Storytelling is an art form that has captivated humans since the dawn of civilisation. Whether through oral traditions, written literature, or visual media, stories have the power to entertain, educate, and inspire. At the heart of every great story lies a carefully constructed narrative that engages the audience and conveys a meaningful message. According to Kurt Vonnegut, stories have shapes, the main ones are Man in the ho

Principles of Visual Design

 Principles of design are the fundamental bases that govern design choices with regards to design elements, size, colour, positioning, etc. They act as a compass for the entire design team. Applied successfully, these principles give designers the power to create meaningful, aesthetically pleasing, and well-functioning designs. Principles of Design Study the PDF below (for academic use only) Principles of Design PDF BALANCE and ALIGNMENT Balance refers to the arrangement of elements in relation to a visual central axis. It is the distribution of the visual weight of elements. It makes the design feel stable. Like in the physical world, objects in a design carry weight, which is called visual weight . The visual weight of a design needs to be distributed; or it would become a disturbance to the viewer. Balance could be symmetrical or asymmetrical Alignment is orderly arranging elements in a way that matches how people naturally scan the page. It helps balance your image so that it'

Jesus the Guru in Buddhist Meditative Posture

Jesus the Guru at St. Anthonys Shrine Jesus the Guru, in Buddhist meditative posture, at St. Anthony’s Shrine in St. Anthony’s Friary campus, in Bangalore, expresses the modern, inclusive inter-religious Indian Christian Psyche -thanks to constant inter-religious interactions and dialogues that is happening. This perhaps is the result of the search by serious Indian Christian theologians and artists to have an image of Jesus that people of India can relate to. We could call it an Indian Jesus.  Here in the shrine, this large sized relief work of serene image of Jesus has a cathartic effect on people who arrive here with various difficulties and challenges of everyday life. This central image of Jesus gives direction to, scattered, and at times misdirected, personal Christian devotions to saints and other pieties.