Skip to main content

Ecce Homo

 Behold powerlessness, here is humanity: trafficked, used and made to overwork for profit, left unemployed for greed, dominated and muzzled by authoritarian and patriarchal regimes, and desecrated in the name of religion.

May is hot; not just because of the rising mercury levels across India and elsewhere, but also because of the elections in Karnataka, which is arguably, an important state for the existence and rise of BJP in the South, because of the ongoing ED raids and political arrests, and of course, because of May Day –the day we appreciate the constitution of the eight-hour working day. The workers today, as in every age, are in a permanent revolution, lest the bosses take advantage of their powerlessness, and make them machines. 

There has been no other movement as the workers movement, which made the world take notice of people and their struggles. May is a month to notice humans, look at powerless humans more genuinely, more seriously. I borrow a conversation from Bobby Jose Kattikad which happened during the Kerala Literature Festival. He began his conversation with a rather old expression, ‘Ecce Homo’, meaning, this is human, this is human condition, or behold human. The first occurrence of uttering these words was by a Roman governor in the very beginning of the first century. He brought out a young man who was falsely accused, arrested, and stricken, out to the full view of a large frenzied and frantic crowd, and stated, ‘ecce homo’ –behold man. It was a call to look seriously at that man again. Do not pretend not to see him, bleeding, made naked, put to shame, and crucified.

Much later, in 1888, just a while before Friedrich Nietzsche collapsed into madness, almost like his autobiography, he writes the book, ‘Ecce Homo’.  Nietzsche was someone who noticed man, one of his engaging hobbies was to go to the street, sit there, and watch people. Genuinely noticing people also takes you down to many other layers of seeing. One day as Nietzsche was sitting by the street, he sees a man intolerably beating up his horse, Nietzsche runs and stands between the man and the horse, and began pleading for the horse. The pleading for the dumb animal may not have gone on without a few beatings falling on him too. And his life story says that soon he was taken to an asylum. Nietzsche was even apprehensive of people pretending to see god but ignoring to see humans. Perhaps his claim, ‘god is dead’ was a tactic to make people to stop looking heavenward and start seeing humans on the plains of the earth. Ecce homo is a call to look at powerless humanity, trafficked, used and made to overwork for profit, left unemployed for greed, dominated and muzzled by authoritarian and patriarchal regimes, and desecrated in the name of religion. 

Ecce Homo, May Day, Power and Powerlessness, Workers day
Antonello da Messina, an Italian renaissance artist painted, Ecce Homo (1475), the image of a man condemned to death in the early first century. 

Power and powerlessness 

The world is a power structure; a social, political, economic, religious, and gender power structure. There are entitled people in and on top of the pyramid. Those at the bottom seldom get counted. The structure is narcissistically controlled by those wielding power. The powerless only get to hear of it from the textbooks: authoritarianism (the rule of one), which if goes unchecked can become totalitarianism, and eventually fascism. It is the absolute rule and control by one man, one force, and one regime, though the degrees of power may vary. They want a country to be in one colour, speak one language, profess the same creed, and have only one choice while electing its leader and in running its affairs; any opposition is anti-national. Today oligarchic (rule of the few) too is getting momentum. Authoritarians and fascist have come to know that they need huge wealthy corporations and propagandist media on their side for a presumptuous rule. Some, thankfully, still believe in the rule by all (liberal democracy). Being liberal is also a power structure with a hierarchy, but here the people have rights: right to speak, right to ask questions, and the right to respond. The masses have faces, names, and voice. 

One is powerless when one is inescapably in a system, but can see its flaws and tyrannies, yet has no right to question or correct it. I live in a house, I know it is filthy and toxic, but I can’t clean it, I can’t even talk about it. This problem seems just hypothetical but not so. No country or systems must be blindly considered great because you are born in it. For example, If I am born in a fascist country, is it right to glorify fascism? Is it criminal to question fascism? Do I become an anti-national by doing it? Because I am part of a country, or system, can I not question it? Is it my problem that I was born in it, and I can see its flaws? The argument goes true also with religion, gender, and the rest.  It is a myth to consider that asking questions and holding a conversation would weaken a system or a country. Shouldn’t the right to ask questions and respond be fundamental rights for the health of a system. 

Power structures are complex. We often live in an illusion of having power, but the reality may be far from it. Michel Foucault talks about power making its social presence in two kinds of garbs, repressive power and normalised power. Normalised power is ingrained and relatively allusive. It’s what makes us exist within a society, and within the underlying norms of a society, as accepted in a specific social context, and do the things that we need to do. Contrasted to this, a more obvious form of power is repressive power, which is power that is actively asserted. Consider a situation where a teacher threatens a student with detention if they don’t stop speaking in class. This would be an example of repressive power, meaning that it was actively asserted.

Normalised power, on the other hand is so normal to us that we don’t even realise that we don’t talk in the class (we don’t talk anywhere). Here too, our aim of not talking in the class is the same, namely, not to be detained in the same class. These power structures are so internalised and normalised that our beliefs, desires, and decisions are shaped by it, and they appear normal. 

May Day is a reminder of sacrifice, struggle, and revolution. Here is the greatest lesson of May Day, when the masses are not given ordinary powers to question, respond and correct their course, they will forcefully take it through extraordinary means

Comments

Popular posts from this blog

Fan Ho’s Street Photography

 The history of 20th-century street photography is incomplete without recognising the monumental contribution of Fan Ho. A master of light, shadow, and human connection, Ho captured the soul of mid-century Hong Kong , transforming everyday moments into timeless works of art. His unique vision blended a keen eye for geometry with a profound understanding of human dignity, leaving behind a body of work that continues to inspire and resonate. Fan Ho was born in Shanghai in 1931 and emigrated to Hong Kong in 1949, arriving at a moment of profound historical rupture when the city was rapidly transforming into a modern metropolis teeming with refugees, traders, and labourers. Armed initially with a simple camera given to him by his father, he began photographing the street life of the city as a teenager and would continue refining this practice over the course of six decades. Study the PDF below (for academic use only) Fan Ho's Street Photography PDF To fully appreciate Fan Ho’s photogr...

Indian Political Spectrum: Left, Right, and Centre

 Left-wing, right-wing, and centre are terms used to describe different positions on the political spectrum. The terms left-wing and right-wing originated from the seating arrangements in the French National Assembly during the French Revolution (1789). Supporters of the King and the traditional social order sat on the president's right side. These were generally considered more conservative and resistant to change. Supporters of the revolution and those advocating for a more egalitarian society sat on the president's left side. These were seen as more progressive and willing to challenge the status quo. Over time, these seating positions became symbolic of broader political viewpoints. The terms "left" and "right" were eventually used to describe the entire spectrum of political ideologies, not just those present during the French Revolution. Left Wing focuses on equality, social justice, and reform. Left-wing ideologies generally believe in reducing econo...

Compassion Fatigue

  What does one do when one’s compassion cup goes dry and empty; when one comes to a point where there is nothing more left to give? I lost my mother very recently. She was 93. For the last two and a half years, she was ill, and for the last one and a half years, she was bedridden. Though all her children, when they visited her, used to be generous in taking care of her needs, it was my brother and his wife who took care of her day in and day out. They did an amazing job; they regulated their daily routine to make sure that mother did not lack anything, they sacrificed their possible travels and outdoor fun activities to make sure that there was someone with mother always. As days passed, weeks passed, months and years passed, I could see exhaustion and a certain level of irritation setting in with them. There were feelings of helplessness and powerlessness in the face of distress and pain, for medically they could do nothing more for mother, except to give palliative care . Other...

Sigmund Freud on Creative Writing and Day-Dreaming

 Freud in his essay, Creative Writers and Day-Dreaming, explores the psychological origins of artistic creativity and the impact of literature on readers. He draws parallels between the imaginative activity of creative writers and the day-dreaming of ordinary people. It is a discussion about the relationship between creative art and unconscious phantasy. In it, Freud talks about the role of daydreaming and fantasy in human behaviour, and how creative writers are able to express their daydreams without shame or self-reproach. Read the essay below (for academic use only) Creative Writers and Day Dreaming PDF Freud argues that the child's play and the adult's phantasies/daydreams share a common element—the desire to alter an unsatisfactory reality and fulfil unfulfilled wishes. The creative writer is like a successful daydreamer who is able to transform their private fantasies into works that provide pleasure to the audience. Freud suggests that the writer's choice of subject...

Unapologetic Robert Frank and the 'The Americans'

  I share birthday with Robert Frank , 9 November. He was a trailblazing Swiss-American photographer and documentary filmmaker. After being a fashion photographer, Frank freed himself from the rigid demands of technical perfection, teaching himself to capture the emotional truth, messiness, and patterns of everyday life. Robert Frank’s photographs were cut from the living fabric of American life. When he arrived from Switzerland in 1947, he brought with him not only a handheld 35mm Camera but also a clear, unburdened eye of an outsider. Frank saw something simmering beneath the glossy varnish of the "American Dream." The result was The Americans , a photobook that did not merely capture an era, but redefined the entire potential of photography; and its realism still has the power to tremble the ground beneath our feet. The Americans , first published in France in 1958, is Frank's undisputed masterpiece. Funded by a Guggenheim Fellowship , he took a series of road trips a...

The Male Gaze and the Construction of Gender in Visual Culture

 Visual culture encompasses the totality of images, visuals, and visual practices that shape our lived experience. It manifests through art, photography, cinema, design, and countless other forms, representing the ideas, customs, and social behaviours that revolve around visual materials. Visual culture is not merely decorative or informational; it is a powerful force that produces, circulates, and interprets visual forms to construct meanings, shape beliefs, and convey power within specific cultural contexts. From traditional artworks such as paintings and sculptures to mass media like film, television, and advertising, from digital platforms including websites, apps, and video games to everyday objects like fashion, logos, and packaging—all these elements communicate meaning and fundamentally shape our understanding of the world. The quality and impact of visual culture depend on two critical factors: the quality of the visual content created and the nature of the act of see...

Visual Analysis: SEMIOTICS

 Visual analysis is a systematic and scientific approach to examining visual materials that goes far beyond casual observation.  In our visually saturated world, images have become a inescapable universal language that shapes our perceptions, attitudes, and experiences. From the artworks adorning gallery walls to the advertisements lining city streets, visuals communicate narratives, evoke emotions, and reflect sociocultural ideologies . However, the process of seeing and interpreting visuals is not as spontaneous or natural as we often assume. As John Berger notably stated, " seeing is an active decision ," suggesting that the process of interpreting visuals is neither spontaneous nor natural, but rather requires conscious effort and critical thinking. The way we perceive and interpret visual content is heavily influenced by habits, conventions, and our individual perspectives.  Serious visual analyses requires conscious effort and critical analysis to unravel the ...